Martin Parr at StudioFilmClub

Saturday, January 09, 2010

Martin Parr at StudioFilmClub

"What does the neon sign read, Scotchman's Yard? " after Martin Parr 6/8

This was the first time to Port of Spain, Trinidad and ~~Tobago~~. I had attended the CHOGM and liked very much the island. I was invited to the StudioFilmClub to see a screening of a big blue bat with sparkles. When I arrived it was awfully quiet, I had to carry my camera in my large handbag and over my coat and dress, the nights lately have been quite chilly.

I have a sense that I been spooked

The steps to this opening made me dizzy, I had to grab hold onto the avant-garde hand railing. It was impossible to think this artists run establishment refused many times to install a service elevator, I am a middle aged man, my hearing is bonkers, my foot swells in this temperature, shamrock. Finally, I reached the heading. What a lovely array of flower pots, does this installation belong to Martin Creed? Waste and empty wine cartons, so who had a party? Mate, did I miss the limbo dance?

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Views expressed on thebookmann are not affiliated with any Art Organizations and an “Art Review” may be open to interpretation as it is an observation at face value.

Amendments to such articles if misleading or with grammatical errors shall be corrected accordingly.

All photographs, Feinin studies, accompanying quotes, articles and visual headers appearing on site are the exclusive property of Richard Bolai © 2004 - 2010 All Rights Reserved.

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Richard Bolai lives and works from Trinidad, West Indies. He is a bookbinder,Graphic designer and the author of thebookmann, which from 2004, has written and photographed independently aspects of Trinidad and Tobago's art culture.

In 2008, he began a series of self studies called Feinin which incorporated digital superpositions of artists who have left a mark in art history by using the internet as the core of reference. He also produced parodies relating to anthropological studies of Trinidad and Tobago, for example, folklore or observations of the society via class and stereotypes

The work then expanded by actually creating dimensional replicas, capturing a map over the subjects to explore the underling subconscious in the form of art. This aided the ability to analyze art by producing art parodies to understand the meaning behind it. No money was spent or assistance in producing these compositions from common items found in his home, a chair, a mirror, or old tyre.

The artists lists includes, da Vinci's Last Supper, Koons's dog, Hirst's spin paintings, Andres Serrano's piss Christ to Monet to name a few, over one hundred artists' have been completed, producing one in every 24 hour cycle.

It should be noted that with the feinin studies, you should see that actual work that is been parodied via the link. It makes no sense otherwise.

thebookmann archives is a source of information for art academics and students alike. A major contributor to thebookmann is Adele Todd

Interview with the bookman

All photographs, Feinin studies, accompanying quotes, articles and visual headers appearing on this site are the exclusive property of Richard Bolai © 2004 - 2010. All Rights Reserved. Any use requires written permission

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Timeless - thebookmann - Feinin

Saturday, January 09, 2010