
A wall painting of a barber shop, Backstreet at Barataria, Trinidad courtesy of P.D.
This is an eye catcher located off Barataria, Trinidad. The owner of the Barber shop wants you to know that he had his Hairdressing training in a Big City, namely Brooklyn, New York. There, he realized that how elegant, confident and refine you look can take you places such as to this wall. The artist responsible for this motto has executed the barber as a Saga Boy who is decked out in a red polyester suit complemented with black brogue shoes. He posture shows his seductiveness and availability to both sexes to lure them into his shop. Men want to look like him, and woman just want to be with him. His self-assurance is represented by his hand tug at his waist. His personal haircut should have a clean part to finish his look.
His companion, and love of his profession is a seven foot Claes Oldenburg barbering shears. Both are standing in front of a varnish stone wall that shows a specular view of new grand city with its high risers and sky walks, Port of Spain.
..................................................................................................................
Brooklyn, New York is one of many places in the world of immigration that has deep historical meaning for people of African descent. It represents hope and for many, financial success. The bowels of New York open out every year and spit their inhabitants holding green cards and visa’s back to their islands for carnivals. Only to ingest them again.
The painting on this backstreet barber shop holds in mind all of the meaning associated with such promise. The image is reminiscent of the old fashioned photographs taken during the Harlem Renaissance and our own distant past of the 1950’s, where the elegant black population dressed for success, as opposed to excess today.
Our painter tells us that self assurance is all in a good shave and mark of the head. It causes men to admire and women to perspire with desire. The background of nondescript buildings hark to a metropolis of unknown origin, the foreground with the tree remind you of Central Park, Manhattan or anywhere that urban meets suburban. He is standing in a red,velvet suit with a scissors that flanks him in size, an Andy Warhol or Claes Oldenburg prop that makes clear that the message is all about style,class and polish. - Adele
Wednesday, September 17, 2008
Is Brooklyn ah study Hairdressing
Tuesday, September 16, 2008
Buccoo Reef in Zurich
A peddler's screen saver
Next to Lake Zurich, Switzerland, an artist executes a pavement painting using pastels in the hope that his effort may fill the empty cans that surround it.
Zurich has its history as a banking capital, the region as I recall had narrow streets and hills. It also had a problem with drugs and addicts. In some restaurants, the washrooms are fitted with a blue light so that an addict cannot find his or her vein. Nevertheless, the Swiss are very sophisticated people whose decorum for proper etiquette may be expressed by a sample. In restaurants, your pet may be allowed to join you at the table.
The street artist sits at the edge of his chalk coral reef rendition
Monika Nicoletti has photographed a street artist who has a longing for the Caribbean sea and of the Buccoo Reef in Tobago. His pastel drawings is full of aquatic life swimming with coral fans, reef sharks and parrot fish. Yet, his pavement painting is a copy of a computer screen saver. Monika's observation of the man is described in the following excerpts;
I was watching him for a long time. The painting looked like an illusion and from a certain angle, it was almost colourless. And from straight above, looked like a three dimensional mirage, and so real. When I asked him if I may take a picture, he proudly stopped painting and placed himself in a dignified position. Hours of work just to be washed away by the next rainfall, until his next street art in another city.
Monika Nicoletti is the author of a website called Pan-Jumbie. She archives any event related to the Steelpan in Zurich, Switzerland and around the world.
Disclaimer:
Amendments to such articles if misleading or with grammatical errors shall be corrected accordingly.
All photographs, Feinin studies, accompanying quotes, articles and visual headers appearing on site are the exclusive property of Richard Bolai © 2004 - 2010 All Rights Reserved.
Any fare use is restricted without written permission