The calm before the storm

Sunday, February 22, 2009

The calm before the storm

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Copyright © 2009 Richard Bolai

A large trailer soon to be converted as a bar or food court to cater one of the many carnival bands, Port of Spain, Trinidad

On the streets of Port of Spain, many street vendors were putting up their tents and arranging a variety of drinks, food menus and snacks for public display as inviting as possible. Some had slept together with their possessions including pots of Pilau protected by a tarpaulin and by the carnival, try to make as much money gods. In other spots such as a body paint outlet, airbrush artists were preparing to casts masqueraders with their inner fantasies as motifs of animals, tonal beauties or street nudes to again push their illusions of themselves in public. Nevertheless, this is the calm before the storm and by tomorrow, clean white walls would have shared the human spirit in mud, paint, oil and temptation. The daybreak bacchanal called J'ouvert..

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Views expressed on thebookmann are not affiliated with any Art Organizations and an “Art Review” may be open to interpretation as it is an observation at face value.

Amendments to such articles if misleading or with grammatical errors shall be corrected accordingly.

All photographs, Feinin studies, accompanying quotes, articles and visual headers appearing on site are the exclusive property of Richard Bolai © 2004 - 2010 All Rights Reserved.

Any fare use is restricted without written permission

Richard Bolai lives and works from Trinidad, West Indies. He is a bookbinder,Graphic designer and the author of thebookmann, which from 2004, has written and photographed independently aspects of Trinidad and Tobago's art culture.

In 2008, he began a series of self studies called Feinin which incorporated digital superpositions of artists who have left a mark in art history by using the internet as the core of reference. He also produced parodies relating to anthropological studies of Trinidad and Tobago, for example, folklore or observations of the society via class and stereotypes

The work then expanded by actually creating dimensional replicas, capturing a map over the subjects to explore the underling subconscious in the form of art. This aided the ability to analyze art by producing art parodies to understand the meaning behind it. No money was spent or assistance in producing these compositions from common items found in his home, a chair, a mirror, or old tyre.

The artists lists includes, da Vinci's Last Supper, Koons's dog, Hirst's spin paintings, Andres Serrano's piss Christ to Monet to name a few, over one hundred artists' have been completed, producing one in every 24 hour cycle.

It should be noted that with the feinin studies, you should see that actual work that is been parodied via the link. It makes no sense otherwise.

thebookmann archives is a source of information for art academics and students alike. A major contributor to thebookmann is Adele Todd

Interview with the bookman

All photographs, Feinin studies, accompanying quotes, articles and visual headers appearing on this site are the exclusive property of Richard Bolai © 2004 - 2010. All Rights Reserved. Any use requires written permission

Contact

Timeless - thebookmann - Feinin

Sunday, February 22, 2009