Albrecht Dürer's perspective

Monday, November 19, 2007

Albrecht Dürer's perspective

Albrecht Dürer is much known for his copper engraving, but he also devised the means in which the line, geometry and perspective were an essential part of composing. The devisions of the human body could be calculated mathematically and Dürer stressed that with drawing any object, the proportion and weight was needed to give a realistic sense of what was observed.

With these superimposed portraits painted between the period 1493 and 1500, Albrecht Dürer viewed himself as an noble man, equating himself to the deity of the Christian faith. Yet, it is in his work, in the simple life of the peasant, and the representation of his Deutschland that bequeaths his legacy.

No comments:

Disclaimer:

Views expressed on thebookmann are not affiliated with any Art Organizations and an “Art Review” may be open to interpretation as it is an observation at face value.

Amendments to such articles if misleading or with grammatical errors shall be corrected accordingly.

All photographs, Feinin studies, accompanying quotes, articles and visual headers appearing on site are the exclusive property of Richard Bolai © 2004 - 2010 All Rights Reserved.

Any fare use is restricted without written permission

Richard Bolai lives and works from Trinidad, West Indies. He is a bookbinder,Graphic designer and the author of thebookmann, which from 2004, has written and photographed independently aspects of Trinidad and Tobago's art culture.

In 2008, he began a series of self studies called Feinin which incorporated digital superpositions of artists who have left a mark in art history by using the internet as the core of reference. He also produced parodies relating to anthropological studies of Trinidad and Tobago, for example, folklore or observations of the society via class and stereotypes

The work then expanded by actually creating dimensional replicas, capturing a map over the subjects to explore the underling subconscious in the form of art. This aided the ability to analyze art by producing art parodies to understand the meaning behind it. No money was spent or assistance in producing these compositions from common items found in his home, a chair, a mirror, or old tyre.

The artists lists includes, da Vinci's Last Supper, Koons's dog, Hirst's spin paintings, Andres Serrano's piss Christ to Monet to name a few, over one hundred artists' have been completed, producing one in every 24 hour cycle.

It should be noted that with the feinin studies, you should see that actual work that is been parodied via the link. It makes no sense otherwise.

thebookmann archives is a source of information for art academics and students alike. A major contributor to thebookmann is Adele Todd

Interview with the bookman

All photographs, Feinin studies, accompanying quotes, articles and visual headers appearing on this site are the exclusive property of Richard Bolai © 2004 - 2010. All Rights Reserved. Any use requires written permission

Contact

Timeless - thebookmann - Feinin

Monday, November 19, 2007