Lapeyrouse Wall

Monday, July 09, 2007

Lapeyrouse Wall

Sometimes you come across a moment that stirs your senses from a image that seems so important. And as you capture it, it is in the capturing that a memory is stirred that leads you to another image painted on canvas.

This is when a thought occurs that you have seen it before. It is the impact. It stops in you tracks and in its recognition is what makes art important. It is the moment of the experience that can last for a lifetime. It may be small or large but art is impacting.

This is the wall of Lapeyrouse cemetery in Port of Spain, Trinidad and a figure of a person is caught in a heavy down pore, protected by a light pink umbrella. What is unique about this photograph is that the likeness and composition has been captured before by a renown artist. The painting, Lapeyrouse Wall hangs within the walls of the Moma in New York.

See Peter Doig's (Lapeyrouse Wall) - What brought me to this place post

2 comments:

Anonymous said...: I don't know the painting, but I know a great photo when I see one! Wonderful!; 10:40 PM
Stefan Falke said...: booman bookman, I hope you set your camera on 'fine', this is a great image !; 2:57 PM

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Views expressed on thebookmann are not affiliated with any Art Organizations and an “Art Review” may be open to interpretation as it is an observation at face value.

Amendments to such articles if misleading or with grammatical errors shall be corrected accordingly.

All photographs, Feinin studies, accompanying quotes, articles and visual headers appearing on site are the exclusive property of Richard Bolai © 2004 - 2010 All Rights Reserved.

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Richard Bolai lives and works from Trinidad, West Indies. He is a bookbinder,Graphic designer and the author of thebookmann, which from 2004, has written and photographed independently aspects of Trinidad and Tobago's art culture.

In 2008, he began a series of self studies called Feinin which incorporated digital superpositions of artists who have left a mark in art history by using the internet as the core of reference. He also produced parodies relating to anthropological studies of Trinidad and Tobago, for example, folklore or observations of the society via class and stereotypes

The work then expanded by actually creating dimensional replicas, capturing a map over the subjects to explore the underling subconscious in the form of art. This aided the ability to analyze art by producing art parodies to understand the meaning behind it. No money was spent or assistance in producing these compositions from common items found in his home, a chair, a mirror, or old tyre.

The artists lists includes, da Vinci's Last Supper, Koons's dog, Hirst's spin paintings, Andres Serrano's piss Christ to Monet to name a few, over one hundred artists' have been completed, producing one in every 24 hour cycle.

It should be noted that with the feinin studies, you should see that actual work that is been parodied via the link. It makes no sense otherwise.

thebookmann archives is a source of information for art academics and students alike. A major contributor to thebookmann is Adele Todd

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All photographs, Feinin studies, accompanying quotes, articles and visual headers appearing on this site are the exclusive property of Richard Bolai © 2004 - 2010. All Rights Reserved. Any use requires written permission

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Monday, July 09, 2007

Lapeyrouse Wall

2 comments:

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