Saturday, November 19, 2005

Photorealism versus Paintrealism?


Karen Sylvester's paintings, is it Photorealism versus Paintrealism?

In Trinidad and Tobago the art of choice, the art that people like best, can’t get enough of, whether we like it or not, is photorealism. There are a few practitioners of note here: Peter shim, Neil Massy, Karen Sylvester, to name three of the best. They are financially successful, to the chagrin of many other serious artists who think they are more serious than that. It’s not their fault they are successful, if fault, indeed, it is. If the type of art they have chosen – or has chosen them, depends how you look at it – is what people want - not necessarily discerning collectors, but buyers, cooperate and not, who can afford the prices these fellows ask, and get – then what’s the beef with them. Not even artists can live on empty belly, it takes money to buy food, and I glad their belly full, and their wife’s’ and children’s’, too.


Light and water Sylvester's Palette



In Trinidadian terms, Ms.
Sylvester is a master in her own right

Except that:
You really can get this type of thing anywhere, just that the scenery changes.
And: what is the purpose of copying a photograph, when the photograph does it very well all on its own? And: so you can do it, just like a photograph, you have the skill, but what’s next, where. to from here? And: what about a change of subject matter, applying equal skills?

And: a little emotion: rage, despair, grief, ecstasy, joy, mirth - all those over-the-top kind of things. And: a little character, a little more …. depth. And: is it always best to give the people what they want, even for all the money (food) in the world?


A roadside painting


The Photographer Noel Norton exhibition at Clico, Port of Spain. A journey of 50 years where his work is printed on cheap ink jet paper to appear like canvas and framed without the importance of this exhibition itself.

After all, fulfill the potential implied in the skill and intelligence you very obviously possess - or you wouldn’t ever have achieved what you’ve already achieved. And we’re waiting for the move forward and outwards towards something more meaningful, even if it is as unsettling, as accidental as Larry Mosca’s more and more peculiar renderings of the landscapes supporting the wildlife in his pictures – interesting despite himself.

You have to eat, its true. We all do, even prostitutes, who also protest they love their work, and are providing an important and necessary service, at least to clients, and, of course, they are exploited and degraded for it. Exploitation degrades us all, and to facilitate it is to degrade yourself, your talent, your potential, your art. And there is the very real risk of getting stuck, mired in the gimmick, the technique, the virtuosity-for-virtuosity-sake effect, and the perfection of perfection, without a single sign of struggle, even a mistake here and there, surely the road to heartless, bloodless boredom, for both artist and audience alike.


An important art work by Carlise Chang and Noel Norton. The mural, "Nobility of Man" destroyed despite the public outcry to save it during the airport's renovations


Eric Williams with John Lennon's degraded digital print. An appalling photographic retrospective

As artists, we have each been given an instrument to play. There’s nothing wrong with staying in the middle of the range, but there is all that other stuff out there, at the top and bottom, bass and treble, and it seems to me a shame not to go there every now and then, if only, ultimately, to learn a little more about ourselves. For surely that is the largest and most beneficent aspect of this priceless gift (and burden) that has been given to us. - Stuart


A photograph of Hail Salessie with Eric Williams on a his visit to Trinidad and Tobago


Xerox colour copies displayed in a odd walkway gallery, Port of Spain Trinidad

1 comment:

detta said...

Thanks, This needed to be said , out loud and straight.

Disclaimer:

Views expressed on thebookmann are not affiliated with any Art Organizations and an “Art Review” may be open to interpretation as it is an observation at face value.

Amendments to such articles if misleading or with grammatical errors shall be corrected accordingly.

All photographs, Feinin studies, accompanying quotes, articles and visual headers appearing on site are the exclusive property of Richard Bolai © 2004 - 2010 All Rights Reserved.

Any fare use is restricted without written permission